George Cochrane

Like a Creative Octopus, with a Few Fewer Arms

GC in Cool Tools, Professing Love for Kiwi Knives

Kevin Kelly's outstanding gadget blog Cool Tools has published another of my reviews! SCORE! I love those guys. As I got more serious about cooking, I splurged and bought myself a very nice Kai Shun santoku  - like the Tosagata Hocho, previously reviewed on Cool Tools. I used its preternaturally sharp edge with joyous dispatch for about 6 months, until I woefully cut some citrus with it and left it dirty overnight, eroding that wonderful edge. I've never been able to get that magic edge back, even with pro sharpening.

On a visit to a local Asian market, I found a series of Thai-made Kiwi brand knives. In the store, they were nearly free: The large tapered chef's knife (model #21) that soon stole my heart cost around $4, and the paring knife was $1.50.

These knives are very sharp and schuss through veggies and meats like it's nothing. Don't go hacking at bones with the thinner models, but Kiwi also makes quite usable cleavers (for around $8). The miraculous part is, the knives hold an incredible edge for months with proper use of your steel, and they take a new edge with aplomb after a few strokes on a stone.

I have owned knives by Wusthof, Kyocera, Calphalon, and Ikea (shudder) and the Kiwis are the most consistently sharp, most durable, and have the most effective shapes. I've bought or suggested them for all of my foodie friends, and people can't get over how wonderful they are. They don't look like much, but they're well-balanced, very sharp. It doesn't hurt that I could have picked up a full set for less than my crappy block-o-food-manglers cost 10 years ago.

As far as longevity goes, I've had my main chef's knife for about four years, have steeled it every time I used it and given it a few good hones on my Spyderco Sharpmaker. It's still wicked sharp, and while I haven't babied it, it looks none the worse for wear. I used my paring knife to whack the lid off a persnickety glued-shut can of Lyle's Golden Syrup, and in my zeal, the tip bent over almost double. I thought, Oh no! but then I bent it back in place with a pair of pliers, and it's basically good as new.

They're definitely the Jeep Wranglers of the kitchen. I suggest buying them locally if you live in an area with Asian markets; if not, they can be picked up online at generally higher prices.

Kiwi Knives $2– $15

Available from The Wok Shop

Wow... Just Wow. (Dirty Projectors Live Singing)

This is some of the most impressive singing I've heard lately. This song illustrates well how music technology has such an odd, parabolic effect on the way we make music. When I first heard this clip, I was certain that the voices were samples being played by a sampler plug-in, triggered by a keyboardist or sequencer. The influence of vocal sampling is clear in the clipped, overlapping way the singers phrase their notes in this song. When I realized that they were really executing those lines right there in the room, I was flattened (and I went and bought a bunch of Dirty Projectors stuff).

Sampling has done wonders to the way we as humans expect to hear voices. From the staccato, repeating fugues of early-90s club music to the dreamlike, parroting robo-choruses evoked by folks like Scott Herren, vocals have become just another textural element to be twisted, bent and spray-painted to our needs. When artists see what digital technology has done to our expectations, then take that same feel and sound and replicate it with actual strings, membranes, vocal cords, and wind, it can really throw us for a loop. Remember the first time you ever saw The Roots nail the perfect choppy SP-1200 hip-hop beat without a single sample in the mix? I sure do!

I love stuff like this.

(Thanks for the video, @questlove!)

The Littlest Gadget Review: CountyComm Cable Keyring

The awesome folks at Kevin Kelly's Cool Tools blog have published another of my gadget reviews. It may not look like much, but this keyring FINALLY solves one of life's most vexing problems- How to carry a bunch of keys comfortably and without screwing up the lines of your high-zoot jeans. CT's editor slimmed my review down somewhat to fit it in with another keyring review.  Here's my original version, with a little more personal context and filigree. A&P Mechanic's Cable Key Ring

I ride a bike, drive a car, live in an apartment complex, and work in two offices, so I carry a ton of keys. I've tried standard metal key rings in a few sizes and mini-carabiners of various types, and they all have problems. Some are too big, some are too heavy, some are hard to add and subtract items from, and all of them are rigid. This rigidity means that all those keys end up sticking out like a swiss army knife, creating an unsightly, uncomfortable bulge in the pants pocket.

This key ring, made of strong stainless steel cable with a screw ferrule closure, solves all of these issues. It's very light, the screw-apart nature makes adding new keys a snap, and the give in the cable allows each key to flex in place a bit when under tension, finally winning the battle of the (pocket) bulge. That flexibility also makes it easier to get out of a tight or overfull pocket- just hook your finger on the wire, pull, and out it comes. The fact that it's both handsome and "nearly free" doesn't hurt, either.

I've always had a pipe dream to create the perfect lay-flat solution for key-laden obsessives like me. Now I'm happy to lay that dream to rest.

Available here (so long as you grab another couple of inexpensive things to make the shipping a good deal.

Future Visions From the Past: Francisco Infante-Arana

I just got clued in to this amazing Russian/Spanish photographer/sculptor, Francisco Infante-Arana (Thanks, Will!).

His work was done in the 1970s and early 80s, before the age of crystal-clear computer editing and vector art, and so was accomplished in satisfyingly physical ways. A lot of it reminds me of the mirror-obsessed designers that created all of those early CGI animations.

Designer 1: We can finally do ray-tracing! Light can bounce off of things! Designer 2: Sh*t, we have to make everything as shiny as possible, then. Designer 1: But of course!

I love the futuristic sheen and hard-angled shapes he created with little but a masterful hand on the camera and (very) judiciously placed mirrors and ropes. Francisco, if you're around, I certainly can't afford you, but I sure wish you could do an album cover for me.